Michael Caine Teaches Acting In Film

It seems as every acting class at one point or another will instruct you to see this film, as I have been to in several acting classes/workshops I've been in. I suppose Michael Caine is really all that as a director and actor then.

Michael Caine Teaches Acting In Film

Here is the link and feel free to watch it along as you read this post. The YouTube video of his lecture is one hour long, but if you ever want to do film acting (or even stage acting), this video is worth the watch. I remember when I was first given the task to watch the video. I was reluctant after seeing the 58 minute bar on the video, but after watching it, I am glad I did instead of wasting my time playing games or something along those lines.

A few random points Caine makes that would like to emphasize include correctly using the eyes, making sure the camera follows you, and staying calm. His points are very minute... but make all the difference and can separate an amateur and professional in front of the camera. If you want to see the rest of the points he makes (which are many), please watch the video!

When Caine says the eye you use to look at your partner matters, it does! Cameras pick up the slightest of movement and having good facial control (kinesics, anyone?) is vital. But specifically for the eyes-- the eye you use does actually make a difference. Try record yourself via webcam and look at the camera's eye with your left eye and switch to your right eye. Re-watch the video and be astounded (I actually tried this myself when I first watched the video as I was skeptical).

Make sure the camera follows you as well! People often on camera make big, sharp movements. Sure this is acceptable on stage due to the audience have a full-stage view, but if the camera is zoomed in on you, make sure you let the camera-man know either before the shoot or notify them during the shoot by baking up or prepping your knees. A well-prepared cameraman should be able to pickup such a cue if you're part of the main focus of a scene.

Remember to stay calm on camera, as this is not live theatre. Whether you are mad, angry, happy, sad, anxious, or insane in a film scene, stay composed. You can allow the feelings to surge through your face (kinesics, again) and have certain small movements, but big movements are generally a no-no, especially for close-up shots. Big movements bring you off the camera frame and that is a huge no, even to amateurs. You may feel especially calm and almost bored, so instead of building up potential energy, use that stored energy and allow all those feelings to be released... just using your face! That is a hard skill to master. It certainly feels weird to do, but if you re-watch yourself in such a clip, you will see how powerful that sort of still yet emotional scene could be.

Introduction

Hello everyone! This is Anthony Lee from COM 201 and I am happy to have this opportunity to share with you ways to up your performance game! Whether it be singing, acting, or dancing, I plan to cover all three areas. This blog will not only be relevant to performers, but these skills may very well help both your physicality and attitude in everyday living.